dr inż. Magdalena Chudy
dr inż. Magdalena Chudy
Zakład Muzykologii, Pracownia Etnomuzykologii / Department of Musicology, Ethnomusicology Laboratory
Polska Pieśń i Muzyka Ludowa / Polish Folk Song and Music
tel.: +48 (22) 50 48 286
e-mail: magdalena.chudy@ispan.pl
www: academia.edu
| Nota biograficzna | Biographical note |
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| Naukowiec, informatyk, muzyk. Uzyskała stopień doktora inżyniera elektroniki w Centre for Digital Music, Queen Mary University of London (C4DM/QMUL, 2016), wcześniej absolwentka Wyższej Szkoły Informatyki Stosowanej i Zarządzania w Warszawie (WIT, 2006) oraz Państowego Konserwatorium w St. Petersburgu (1996). Od 2018 r. pracuje w Pracowni Etnomuzykologii Zakładu Muzykologii Instytutu Sztuki PAN. Również od 2018 r. jest członkiem zespołu grupy roboczej DARIAH-PL Music Information Retrieval. W trakcie studiów doktoranckich w QMUL pracowała jako asystentka (2011-2013) w projekcie europejskim EU FP7 Roadmap for Music Information ReSearch (MIReS). Odbyła też staże naukowe w Music Technology Group (MTG), University Pompeu Fabra, Barcelona (2011) oraz w Centre for Interdisciplinary Research in Music Media & Technology (CIRMMT), McGill University, Montréal (2013). Równolegle zaangażowana była w działalność na rzecz zwiększenia udziału kobiet w naukach technicznych w ramach kolektywów studenckich WISE@QMUL (Women in Science and Engineering) i G.Hack (Girls Hacking Club). Od wielu lat łączy pracę naukową i pracę informatyka z działalnością muzyczną. W latach 2002-2009 redaktor techniczny dwutygodnika „Ruch Muzyczny”. Jako informatyk pracowała dla Cisco Systems Inc. (2017-2019), Connectis_ (2017), Biblioteka Narodowa (2015-2016 i 2008-2009) Jako wiolonczelistka pracowała m.in. w orkiestrze Teatru Muzycznego ROMA w Warszawie (1995-2000) oraz jako nauczyciel wiolonczeli i zespołu kameralnego w Państwowej Szkole Muzycznej I i II st. w Żyrardowie (1997-2007). Od 2014 r. jest członkiem Female Laptop Orchestra (FLO), międzynarodowego projektu muzycznego, który specjalizuje się w koncertach telematycznych (live streaming), współtworzonych z artystami niezależnie od ich lokalizacji geograficznej, wykorzystując do tego najnowsze technologie teleinformatyczne. |
Magdalena Chudy is a researcher, computer scientist, music technologist and musician. Currently, a post-doc researcher at the Ethnomusicology Laboratory at the Institute of Art of the Polish Academy of Sciences (IAPAS) as well as a member and collaborator of DARIAH-PL Music Information Retrieval group. She holds a PhD in electronic engineering from Centre for Digital Music, Queen Mary University of London (UK). Earlier, she studied computer science at Warsaw School of Information Technology (Poland) and cello at St. Petersburg Conservatory (Russia). While in QMUL, she worked for EU FP7 project “Roadmap for Music Information ReSearch” (MIReS). She was a visiting researcher in the Music Technology Group (MTG), Universitat Pompeu Fabra (Barcelona, Spain) and in the Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), McGill University (Montreal, Canada). She was also involved in Women in Science and Technology focus groups such as WISE@QMUL (Women in Science and Engineering) and G.Hack (Girls Hacking Club). In her professional career, Magdalena combines research work with IT positions and music performing activities. She worked as a customer support engineer for Cisco Systems Inc. and as a technical editor for Ruch Muzyczny, a Polish music fortnightly. As a cellist, she worked for musical theatre as well as collaborated with a number of chamber ensembles and orchestras across Poland. Since 2014, she has been a member of Female Laptop Orchestra (FLO) project which specializes in telematic performances using live streaming technologies. In recent years, her research has been focusing on player-dependent aspects of musical timbre, in particular, on the relationship between gesture, tone quality and perception in classical cello performance. Upon joining IAPAS, her main research areas have included analysis of traditional singing styles, automatic transcription of field recordings, designing a virtual environment for ethno/musicology research based on digital libraries and Music Information Retrieval (MIR) tools. |
Publikacje/Publications
- Tomasz Parkoła, Magdalena Chudy, Ewa Łukasik, Jacek Jackowski, Ewa Kuśmierek, and Ewa Dahlig-Turek (2019). MIRELA – Music Information Research Environment with dLibrA. Proc. of the 6th International Conference on Digital Libraries for Musicology (DLfM '19), The Hague, Netherlands. ACM, New York, USA. Published online 9 Nov 2019.
- Marcin Werla, Jacek Jackowski, Magdalena Chudy, Ewa Łukasik, Ewa Kuśmierek, and Ewa Dahlig-Turek, Developing Music Digital Library based on Polish Traditional Music Archives and dLibra. Proc. of the 5th International Conference on Digital Libraries for Musicology (DLfM '18), Paris, France. Published online 28 Sep 2018.
- Discriminating music performers by timbre: On the relation between instrumental gesture, tone quality and perception in classical cello performance. PhD thesis, Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London, UK. Published online 5 Jan 2017.
- Xavier Serra, Michela Magas, Emmanouil Benetos, Magdalena Chudy, Simon Dixon, Arthur Flexer, Emilia G.mez, Fabien Gouyon, Perfecto Herrera, Sergi Jord., Oscar Paytuvi, Geoffroy Peeters, Jan Schlüter, Hugues Vinet, Gerhard Widmer, Roadmap for Music Information ReSearch. Geoffroy Peeters (editor), Creative Commons BY-NC-ND 3.0 license, ISBN: 978-2-9540351-1-6. Published online 2013.
- Chudy, M., Perez Carrillo A., and Dixon, S., On the Relation Between Gesture, Tone Production and Perception in Classical Cello Performance. Proc. of the 21st International Congress on Acoustics (ICA 2013), POMA (19), pp. 035017-25, Montreal, Canada. Published online 2013.
- Chudy, M. and Dixon, S., Recognising Cello Performers Using Timbre Models. In: Algorithms from and for Nature and Life. Classification and Data Analysis, Lausen, B., Van den Poel, D., Ultsch, A. (Eds.). In book series: Studies in Classification, Data Analysis, and Knowledge Organization, Springer-Verlag GmbH, Heidelberg. Published online 2013.
- Chudy, M. and Dixon, S., Recognising Cello Performers Using Timbre Models. Research Report, Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London, UK. Published online 30 Dec 2013.
- Chudy, M. and Dixon, S., Towards Music Performer Recognition Using Timbre Features. Proc. of the 3rd International Conference of Students of Systematic Musicology, pp. 45-50, Cambridge, UK. Published online 2010.
- Automatic identification of music performer using the linear prediction cepstral coefficients method. Archives of Acoustics Journal, 33(1) 2008, pp. 27-33.
- Automatic identification of music performer. In: Proc. of the 11th AES Symposium “New Trends in Audio and Video”, pp. 170-175, Białystok 2006.